- #PRESONUS STUDIO ONE FREE DOWNLOAD FULL VERSION PATCH#
- #PRESONUS STUDIO ONE FREE DOWNLOAD FULL VERSION SOFTWARE#
- #PRESONUS STUDIO ONE FREE DOWNLOAD FULL VERSION PROFESSIONAL#
Thanks to the feature-packed, versatile StudioLive 32 and the power and speed of Studio One, Hay Bale Studio had entirely new capabilities at the 2017 Bonnaroo. So we’re capturing bands through the StudioLive 32, mixing and mastering, and putting it out to more than 40 radio markets-all within an hour of each performance, with two or three songs for each band every hour.” “He also uses Studio One to capture the performance in stereo. “Joe makes the radio mix sound fantastic,” enthuses Shaw. The live stereo mix goes straight to mastering engineer Joe Hutchinson. “You also can lock out functions on particular devices the iPad guys on the recording floor can only control the aux sends for the headphone mixes, while my laptop has complete control of the StudioLive 32.” “That means you can give people different responsibilities,” Hardesty explains. With UC Surface, it’s possible to control the mixer from multiple devices at the same time.
I also help with headphone mixes,” Hardesty observes. I am also taking a print of the mix but generally I’m working with individual tracks. My main goal is to set preamps and compressors and do the gain staging so I can get the multitrack feeds recorded properly in Studio One. “Anything Lij can do on the mixer, I can do just as well in the software. Main engineer Michael Hardesty also is equipped with UC Surface but he’s running it on a laptop.
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“We have two people with iPads running UC Surface software to control the monitor mixes.” “We send the cue mixes to the PreSonus HP4, which is a great, simple 4-channel headphone box that is really loud,” he avers. Using the StudioLive 32’s aux sends, Shaw and team send four custom headphone cue mixes. “I choose a FlexMix, and the entire mixer configuration changes and shows me what’s going on with that FlexMix,” instructs Shaw. PreSonus’ FlexMix feature also has proven useful. I use Tap Tempo on the mixer to ensure the timing of the delay effects works with what the band is playing.”
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I can bring in four onboard effects processors for reverb and delay, and I also patch in my outboard spring reverb. “I’ve got compressors and EQ on every channel,” Shaw specifies, “and the customizable Fat Channel lets me create my own layout so I can quickly access the processing I want when mixing. Shaw mixes live while the band is performing, a job made much easier by the StudioLive 32 Fat Channel signal-processing section’s customizable user interface. We’re recording in multitrack to Studio One using the console’s AVB audio interface, which can send and return up to 55 streams over one CAT5 Ethernet cable,” says Shaw. “The StudioLive 32 allowed us to bring in all 24 inputs from the recording floor, so we could record a full band.
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For the 2017 Bonnaroo, Hay Bale Studio offered more capabilities than ever before, as Shaw mixed on the new PreSonus StudioLive 32 Series III digital console/recorder, while his team captured the tracks and main mix in PreSonus’ popular Studio One 3 Professional DAW.
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